Sour Grass as it is more widely known, is actually Wild Sorrel; a short lived perennial that dots fields and open spaces every Spring along the Eastern United States. Distinguished by its reddish pink color, it is edible to a point point with an acidic, sour taste. It offers a marvelous foreground enhancement when photographing otherwise barren fields prior to Spring planting.
Shot with a Nikon D800E Camera using an 18mm Nikkor Lens, I used my usual set up for sunrise photography: Manual program, Spot metering, taking my exposure reading away from the Sun in the blue sky, f/22 for 1/320th of a second, Auto White Balance, ISO 400. No Filters. I shoot everything in Nikon’s RAW Format (NEF) and I use Photoshop Elements to convert the image to jpeg. Ah yes, I also use a tripod for all landscape shots: A SLIK Pro 5000X. Thank you for the look-in and have a great week.
For several years running, the Christmas day sunrise has been nothing short of spectacular here, to the point of becoming an almost spiritual thing. Not This year. We were greeted this morning with an overcast sky and patches of misty rain, the result of a warm front that marched through late yesterday and overnight. But the Christmas weekend was not a total washout.. Christmas Eve morning was a keeper. With the colder air, the scene could be from October. There were just enough clouds to reflect the warm morning light. I had seen the clouds moving in over the tall lob lolly pines from my kitchen window and grabbed my camera. No filters. Nikon D750 fitted with a 24-120mm f/4 lens. Iso 400, custom white balance, though Automatic on the 750 is quite good. Manual exposure. Spot metering. 1/125th of a second at f/22 which explains the slight flare to the sun. Best wishes to all for a great holiday and a safe and prosperous 2017.
One of the oldest of Photography “Rules” is in play here. I say “Rules” because, of course, there are no rules ,and those that have been passed down come with the caveat, “made to be broken.” Over the years though, I’ve found this one is worth remembering: when all else fails, get low! As it was, this was no shot at all when I first saw it. The distant dark tree line swallowed the scene. But by getting low, the high grass stalks met that incredible orange of the dawn sky and bingo, a scene worth capturing. I thought it was a rather pleasing shot. So did my followers on flickr. It got a lot of hits and faves and so forth. I decided to put it on my web site and sold a small print the first day. So, a worthwhile photography that all came about because I “went low.” Mind you, “getting low” is not something I do much of these days. At my age, getting low is one thing, getting back vertical is quite another, but this shot made even the complaining knees worth it. Nikon D800E. 18-35mm lens. Thanks for the look and have a great week.
A rather dramatic sunrise in the bean field. Within a minute or so, the golden glow in the sky will be gone, leaving just a white disk of a sun and a lot of bright light. The trick is to be there before the big show. My rules for sunrise shots: Get your gear ready the night before even to the point of making the settings on your camera. For me, usually f/16-f/22, iso 400, manual exposure, spot metering. Set your alarm early enough to allow you time to get to your destination. When it goes off, go outside and check the sky. If there are no clouds, and you live near your destination, go back to sleep. If you are at an exotic location or on vacation etc, get going regardless. You may not be back. Once there, work quickly, the sun will not wait for you. It really helps to case your location ahead of time to pre-plan shooting points. One final tip: be there. s for the visit. See you next time.
The ubiquitous Sea Oat telegraphs a very calm dawn along the barrier dunes on the Outer Banks of North Carolina. It is very unusual to encounter such a quiet Atlantic this time of the year. Am recovering from surgery so will leave it at that. Nikon D600/ 24-120mm f/4 lens. Have a good week and thanks for the look.
The remnants of the summer growing season welcome a late October Sunrise. The remains of a sweet corn patch are in the left foreground. Ripening soybeans are to the right. The grove of Live Oaks that shelter a civil war era cemetery serve to tone down the intensity of the sunlight preventing a blowout of the scene. A rather easy shot but it all hinges on the metering. I used spot metering taking my reading to the right of the sun and locking the exposure. Manual exposure, f/22 to create the star effect, iso of 400. Raw conversion in Photoshop Elements 14. Shots like this don’t work so well with no clouds which diffuse the light creating orange, yellow tones in the sky. No filters. Nikon D 800E. 18-35mm lens. Thanks for the visit and have a great week.
I’ve always been convinced that Autumn and Winter are the best seasons for grabbing a dynamic sunrise or sunset shot along the coast. I’m no weather guru but it just seems the cooler temperatures seem to generate more clouds which, when struck, by the light of the rising sun, make for a spectacular scene. This is the moment of Sunrise along the Outer Banks of North Carolina somewhere between Kitty Hawk and Southern Shores. No filters. Nikon D800E Camera with an 18mm lens. ISO 400, Manual exposure, center weight metering, f/9, 1/320th of a second. Thanks for your visit and have a great week ahead.